![]() The city utilizes the effluent water from Presidio’s wastewater system to create a man-made ecosystem that mimics the wetlands that once existed all along the river before irrigation and mining undid them. Follow a dirt road to the trailhead and park your car. It’s just another two-minute drive to the B.J. Hop back in your car and get back on FM 170. Abandon your preconceived notions, and I promise the place will surprise you.ġ0:45 am B.J. It’s a step toward understanding the border region in all its marvelous complexity. Presidio is more than just a stop along the way to Mexico. It’s a place where unlikely characters turn up: The MacArthur fellow Rackstraw Downes has painted in Presidio for years, and American writer Ambrose Bierce is said to have disappeared here. It’s in the way that people speak, in the trickle of people on foot who cross the international Port of Entry each day, in the sweet-smelling bakery, which sells pan dulce alongside frosted doughnuts. It embodies what many seem to misunderstand about the border-that both sides are inextricably tied, that neither is uniquely Texan or Mexican but rather a composite of the two. 4,099), along with its Mexican sister city Ojinaga, is a place of flux. Situated on the US-Mexico border, Presidio (pop. I moved to the town in 2014 to work as a reporter, and its uncomplicated charm and warmth in the face of complicated border issues won me over. ![]() In fact, I once stayed there for three years. I’m here to tell you why that should change. Presidio, wedged between them, is usually just a stop along the way. To the southeast is Big Bend National Park, an 800,000-acre geological marvel that offers stunning views of the desert. North of the small border town is Marfa, the bougie oasis frequented by Beyoncé and throngs of tourists alike. It is the best time of day for natural photography when diffuse and warm light is desired.Presidio, Texas, often gets overlooked. In landscape photography, the warm color of the low sun is often considered desirable to enhance the colours of the scene. This harsh lighting problem is particularly important in portrait photography, where a fill flash is often necessary to balance lighting across the subject's face or body, filling in strong shadows that are usually considered undesirable.īecause the contrast is less during the golden hour, shadows are less dark, and highlights are less likely to be overexposed. The degree to which overexposure can occur varies because different types of film and digital cameras have different dynamic ranges. In the middle of the day, the bright overhead sun can create strong highlights and dark shadows. For a location sufficiently far from the equator, the sun may not reach an altitude of 10°, and the golden hour lasts for the entire day in certain seasons. For a location closer to the Equator, the same altitude is reached in less than an hour, and for a location farther from the equator, the altitude is reached in more than one hour. In Los Angeles, California, at an hour after sunrise or an hour before sunset, the sun has an altitude of about 10–12°. The character of the lighting is determined by the sun's altitude, and the time for the sun to move from the horizon to a specified altitude depends on a location's latitude and the time of year. The term hour is used figuratively the effect has no clearly defined duration and varies according to season and latitude. In addition, the sun's low angle above the horizon produces longer shadows. More blue light is scattered, so if the sun is present, its light appears more reddish. This is technically a type of lighting diffusion. When the sun is low above the horizon, sunlight rays must penetrate the atmosphere for a greater distance, reducing the intensity of the direct light, so that more of the illumination comes from indirect light from the sky, reducing the lighting ratio. The color temperature can also change significantly with altitude, latitude, season, and weather conditions. ![]() It tends to be around 2,000 K shortly after sunrise or before sunset, around 3,500 K during "golden hour", and around 5,500 K at midday. The color temperature of daylight varies with the time of day.
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